The Community Broadcasting Association of Australia (CBAA) and Gadigal Information Service / Koori Radio (GIS) continue to amplify First Nations voices with submissions now open for First Sounds Volumes 13 and 14.
Since 2020, the First Sounds music compilations have provided nationwide exposure for First Nations musicians, including alumni Dobby, Kee’Ahn, J-Milla, Barkaa, Andrew Gurruwirri Band, Mulga Bore Hard Rock, Nidala and others. First Sounds powerfully highlights the strength and unity foundational to First Nations artists, blending tradition and innovation.
First Sounds Volumes 11 and 12, released earlier this year, has made a significant impact and providing crucial and sometimes the first airplay for First Nations artists such as Yung Milla, Charlie Needs Braces (pictured above), Grace Alexandra, Mia Lovelock, Tha Deadly Boyz and Yung Maynie. The collection has had over 4,000 plays across more than 250 community radio stations.
With now over 150 First Nations artists having appeared on First Sounds, the initiative has opened doors to showcase opportunities, mentorship programs, and documentary features. Notably, BADASSMUTHA, an artist from First Sounds Volume 12, was selected as a showcasing artist for BIGSOUND 2025.
BADASSMUTHA (pictured above) said:
“Community radio and initiatives such as First Sounds are crucial for First Nations artists, and I am so grateful to continually feel supported by the work that they do to ensure our voices are heard.”
First Sounds Volumes 13 and 14 will be released in the first half of 2026 via amrap.org.au, the CBAA’s initiative that promotes new Australian music to radio. Selections for these volumes will be made by a panel of First Nations industry figures, including previous First Sounds artists Sunny Luwe and Lance Cheney (pictured below, and who also manages Koori Radio’s Kameygal studio), Kaleena Smith (First Nations Development Coordinator, Music NSW, and member of Stiff Gins), and Travis De Vries (Director, Awesome Black).
Lance Cheney aka Chillcheney said:
“I can say firsthand that opportunity changed everything. I received national airplay, connected with new audiences, and picked up gigs I wouldn’t have had access to otherwise. I know what kind of ripple effect First Sounds can have for emerging First Nations artists.”
Submissions for First Sounds Volumes 13 and 14 are now open and close on Monday October 13 2025.
Independent First Nations musicians are invited to submit radio-ready music for consideration. Submit via: firstsounds.amrap.org.au
This project has been assisted by the Australian Government through Music Australia and Creative Australia, its principal arts investment and advisory body. Images supplied.